The wood should probably be flamed and flexible and the flame should match that of your back. Remember though, that more flame means the maple will be more difficult to work with because its structure is more complicated with some parts denser than others. This may prove problematic especially if you have no previous experience in wood bending. So if this is your first violin, use plainer, less figured wood.
Look at the cross section in Fig. 1. The growth rings should run as parallel to the sides of the ribs as possible, to ensure greatest stability. Also, the height "b" should be sufficient for the violin you are building, plus about 4 mm. (36 mm for the Messiah) About 120 cm in length should be more than enough for the whole instrument.
It is best to use a rectangle scraper to remove most of the thickness. To make the surface even it is advised to use a block plane with a blade reground for scraping as in Fig. 2. Blade "a" is the normal block plane blade, which doesn't work well with the dense, flamed ribstock. On the other hand the "b" blade, which when reground works as a scraper, is perfect for the job.
You can, of course, instead of the scraping plane, use your regular scraper, but in that case you will need to keep a keener eye on the evenness of the thicknessing and the whole process may prove more cumbersome. It all depends on the initial thickness of the ribstock.
The thickness and its even distribution may be checked with a thicknessing caliper or more efficiently, the target thickness can be punched into the ribstock using a graduation punch. Set the punch to the final thickness and make a network of holes covering the whole ribstock. Working with the plane scraper, when all the holes are gone, you have arrived at the correct thickness. See the dots in Fig. 3. for reference.